Вклад Шекспира в развитие театра в Англии

William Shakespeare is considered the most outstanding playwright in history. Among the great writers of the past, Shakespeare takes one of the first places. Although more than three centuries have passed since he lived and wrote, his works remain fresh and convincing for us. Such an impact on us as a writer of such a distant past can be explained by the fact that Shakespeare, with great power and penetration, reflected his wonderful era, concentrating in his work all that was in it the most positive and progressive, opening up great prospects for the future. The relevance of the research topic is determined by the following circumstances: Firstly, the lack of study and inconsistency of evidence concerning the facts of the biography of "unsurpassed genius of the word" by W. Shakespeare. Secondly, the research is relevant in scientific, educational aspects.

---

Если можете сделать курсовую работу на заказ в Кемерово пишите нашим менеджерам.

---

. It helps to understand the significance of the Great Unknown in British history, helps to understand what role Shakespeare played in the development of European theater. The aim of the study is to examine Shakespeare's contribution to the development of theatre in England. Tasks: - to explore Shakespeare's creation of a new genre of romantic tragedy; - examine the monologues in Shakespeare's plays as a study of the character's inner motives and conflicts; -analyze the description of the Globe Theatre; - study Shakespeare's plays, which were staged at the Globe Theatre. The object is Shakespeare's work. Subject - Shakespeare as a playwright. Research methods in the work are comparatively analytical. Structurally, the work consists of an introduction, two chapters, a conclusion and a list of literature.

Shakespeare was a companion to the history of the new age theatre. His dramatic legacy has constantly nourished artistic thought, opening up new creative possibilities for the theatre. Even in our far frоm complete review, we hope it is clear that Shakespeare's plays have a wealth of content and form that made it possible to bring to the fore the elements that best fit the spiritual needs of the era. Each time had its own Shakespeare. In all the transformations that took place with Shakespeare's works under the influence of successive eras of social development and artistic thought, the most effective factor remained the humanistic basis of the great playwright's works, which always attracted attention to him. We are far frоm claiming that all the impressions that Shakespeare accepted are equally valid. The theater was approaching Shakespeare or moving away frоm it, and the measure of both proximity and distance was always a measure of truth, humanity and democracy. True Shakespeare is always the Shakespeare who carried people the truth of life, hatred of evil and social injustice, love for man and understanding of the complexity of his life. The stage history of Shakespeare's works, which we considered only in its main points, is not over. Shakespeare continues to live in the theatre, and the struggle between modern ideology and artistic thought is still taking place around his works. Ideal and artistic principles of Soviet art have opened up new possibilities of stage interpretation of Shakespeare, enriching the perception of his drama. The creative approach to solving all problems associated with the staging of Shakespeare's plays was and remains the basis for the work of masters of the Soviet theater, addressing the creations of the great playwright. The secret of success is not only in the stage skills as such, but also in finding in Shakespeare's dramas those motifs that meet the most important demands of our time. Shakespeare is inexhaustible, and we have no doubt that the future will bring the theater new artistic achievements in the implementation of the great playwright's plays on stage.

1.Ackroyd, Peter. Shakespeare: The Biography. — London: Vintage, 2016.-310 p. 2.Bate, Jonathan. The Soul of the Age. — London: Penguin, 2018.-290 p. 3.Berry, Ralph. Changing Styles in Shakespeare. — London: Routledge, 2015.- 340 p. 4.Bradbrook, M. C. Shakespeare's Recollection of Marlowe // Shakespeare's Styles: Essays in Honour of Kenneth Muir. — Cambridge University Press, 2014. — P. 191–204. 5.Brooke, Nicholas. Language and Speaker in Macbeth // Shakespeare's Styles: Essays in Honour of Kenneth Muir. — Cambridge : Cambridge University Press, 2014. — P. 67–78. 6.Cheney, Patrick Gerard. The Cambridge Companion to Christopher Marlowe. — Cambridge: Cambridge University Press, 2014.-190 p. 7.Cooper, Tarnya. Searching for Shakespeare. — National Portrait Gallery and Yale Center for British Art: Yale University Press, 2016. -296 p. 8.Frye, Roland Mushat. The Art of the Dramatist. — London; New York: Routledge, 2005.-320 p. 9.Craig, Leon Harold. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbethand King Lear. — Toronto : University of Toronto Press, 2003. -280 p. 10.Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare // London: Pimlico, 2005. -256 p.